To sweeten the package, A Love Supreme 2.0 comes with a full length DVD(Details Below). The U-N-I has created such a buzz that they have been signed to Los Angeles mega agency ICMwho are booking the group into a 30 city US tour in the spring of 2010 with major festival appearances coming for the summer season. 'A Love Supreme: U-N-I & Ro Blvd.' Shows how three young men went about creating one of the most critically acclaimed albums of 2009 independently.
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Album Review: U-N-I & Ro Blvd – A Love Supreme (2009)
Rating: 3 out of 5 Potholes
In short, A Love Supreme is one of the greatest albums of all time. From “Acknowledgement” to “Psalm”, John Coltrane’s quartet produced a timeless classic.
(April Fools? No. That was just wack.)
U-N-I is comprised of Y-O and Thurzday, two young emcees hailing from Los Angeles, California. These flamboyant characters are nothing short of stylish, and their sophomore release entitled A Love Supreme is the vibrant pink icing on the cake. With the help of producer Ro Blvd, this album is a voyage down a synth/key-oriented rainbow road. You can imagine there are quite a few bumps along the way. No sugar high comes without its repercussions.
It is important to note that A Love Supreme is a very clean album. The delivery of the lyrics are crisp, and the production is in a West Coast state-of-mind. It didn’t take long to admire the simplicity of a track like “Supreme”; a bar’s worth of catchy synths and complimentary drums is all U-N-I is given to deliver the goods. “London Lauren” is another prime example of Ro’s impressive ability to slap together a relaxed piece of work for Y-O and Thurzday to attack. Though there are a few instances where this record is too pretty. “Hollywood Hiatus” will take you back – literally. The beat is a multi-layered cyclone, set to a slow motioned reverse. “Stylin'” is far from stylish – it comes off as weak and fragile via both the producer and the emcees.
This clean album does have one rotten apple though. It’s grimy, dirty, and raw. It also happens to be the best track on the record. I could not ask for more out of “Pulp Fiction Part 1”. A narrator (Thurzday) tells the story of Mike (Y-O) and Cedric (Fashawn), two men who “plan to satisfy their hunger for wealth“. A badass guitar riff on one end. Scratchy keys on the other. Enticing story. Everything clicks.
I have a really tough time soaking up the conclusion of U-N-I’s A Love Supreme. Any of the last three tracks could equal one outro. The over-the-top cries from both “Black Sky” and “Halftime” put Kanye West’s “Pinocchio Story” to shame. If that’s not enough, the final two/three minutes of the album is pure story time (Which actually reminded me of Kanye’s “Last Call”). Don’t get me wrong though, it’s a nice sounding curtain call to a unique album. I just don’t hope these L.A. natives think they’ve made it far enough in the industry to be taking such a mellow approach to a finale. To each his/her own, though.
A Love Supreme is this, that, and a third. Boulder dash xl crack download. Y-O, Thurzday and Ro Blvd have created an album that covers a lot of different sound and material. It’s a stretch to call it versatile, though. No matter how badly these guys want to call themselves escapists of the stereotypical West Coast sound, I think they’re still in the mix. Regardless, it’s a good clean effort, and good clean fun.
![Zip Zip](https://media.nbcconnecticut.com/2019/09/GettyImages-471132761.jpg?fit=1024%2C685)
A quartet created by Salva Sanchis and Anne Teresa De Keersmaeker, A Love Supreme is based on John Coltrane's eponymous album. This collaboration, started in 2005, comprises a meeting between two choreographers who share the same fascination for an iconic piece of music. In A Love Supreme, Coltrane and his musicians deployed a deceptively simple musical structure to allow for a complete freedom of improvisation, continuously pushing the boundaries of every musical register. This freedom sees a literal translation into dance: for this performance, the choreographers accept the challenge of blending improvisation and composition into a seamless whole. For this new version, Sanchis and De Keersmaeker rewrote their 2005 piece to be danced by four young, male dancers. Their energetic interpretation embodies and mirrors the continued vitality of Coltrane’s music.
Choreography
Salva Sanchis, Anne Teresa De Keersmaeker
Danced by
José Paulo dos Santos, Bilal El Had / Robin Haghi, Jason Respilieux, Thomas Vantuycom
Original version created in 2005 with
Cynthia Loemij, Moya Michael, Salva Sanchis, Igor Shyshko
Salva Sanchis, Anne Teresa De Keersmaeker
Danced by
José Paulo dos Santos, Bilal El Had / Robin Haghi, Jason Respilieux, Thomas Vantuycom
Original version created in 2005 with
Cynthia Loemij, Moya Michael, Salva Sanchis, Igor Shyshko
Music
A Love Supreme, John Coltrane
A Love Supreme, John Coltrane
Recording
tenor saxophone, vocals: John Coltrane, piano: McCoy Tyner, bass: Jimmy Garrison, drums: Elvin Jones
tenor saxophone, vocals: John Coltrane, piano: McCoy Tyner, bass: Jimmy Garrison, drums: Elvin Jones
Acknowledgement, Resolution, Pursuance & Psalm © Coltrane, J., © Jowcol Music, Inc. (Universal Music Publ. N.V.)
Lighting design
Jan Versweyveld
Jan Versweyveld
Revised lighting design
Anne Teresa De Keersmaeker, Luc Schaltin
Anne Teresa De Keersmaeker, Luc Schaltin
Costumes
Anne-Catherine Kunz
Anne-Catherine Kunz
Coproduction
Rosas, De Munt/La Monnaie (Brussels)
World premiere
23.02.2017, Kaaitheater (Brussels) Malayalam kochupusthakam kambi kadakal pdf download.
Rosas, De Munt/La Monnaie (Brussels)
World premiere
23.02.2017, Kaaitheater (Brussels) Malayalam kochupusthakam kambi kadakal pdf download.
Read more
The Infinite Possibilities of Coltrane’s Magic Square, by Stefan Hertmans
A Love Supreme 2.0 Zip Codes
![Zip Zip](https://i.ebayimg.com/images/g/P3gAAOSwMkJdVYYX/s-l300.jpg)
An Improvisation with Gravity, by Wannes Gyselinck
A Love Supreme 2.0 Zip Line
Press
Le Carré magique d’Anne Teresa De Keersmaeker et Salva Sanchis, sceneweb.fr (French)
Rosas doet Coltrane, dit keer nog beter, DeMorgen (Dutch)*
Een spirituele apotheose, De Standaard (Dutch)*
From Belgium, A Love Supreme, artsjournal.com (French)
Un dialogue corps-instruments sur du Coltrane, Le Monde (French)*
A Love Supreme (Rosas) - Zo zág u jazz nog nooit, Knack (Dutch)*
De Keersmaeker/Sanchis dévoilent A Love Supreme 2.0, dansercanalhistorique.fr (French)
Coltrane by De Keersmaeker, Freewheeling but Structure Intact, The New York Times (English)*
Per amore di John Coltrane il jazz diventa danza, La Stampa (Italian)
European Choreographers Translate John Coltrane’s Classic A Love Supreme Into a Dance Gem, Village Voice (English)
Rosas doet Coltrane, dit keer nog beter, DeMorgen (Dutch)*
Een spirituele apotheose, De Standaard (Dutch)*
From Belgium, A Love Supreme, artsjournal.com (French)
Un dialogue corps-instruments sur du Coltrane, Le Monde (French)*
A Love Supreme (Rosas) - Zo zág u jazz nog nooit, Knack (Dutch)*
De Keersmaeker/Sanchis dévoilent A Love Supreme 2.0, dansercanalhistorique.fr (French)
Coltrane by De Keersmaeker, Freewheeling but Structure Intact, The New York Times (English)*
Per amore di John Coltrane il jazz diventa danza, La Stampa (Italian)
European Choreographers Translate John Coltrane’s Classic A Love Supreme Into a Dance Gem, Village Voice (English)
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